The creators of the Project

Editing: Magno

Macaé Recent Memories Book Available for download at: https://educacaonaopara.com/

Carcasses of some cowries

Tupinambás religious ceremony in engraving by Theodor de Bry. The image, and according to Jean de Lery, shows the moment when they are tormented by the spirit of Anhangá.

One of the first recordings in sheet music that is known in Brazil. Written by the Frenchman Jean de Lery, in 1557, on his trip to France Antarctica (Rio de Janeiro). It reports a Tupinambá ritual in greeting to the bird Canidé, a species of macaw.

Goitacá Indian (note the use of shells adorning his face)

Viriato is not Callado !!

Polka presentation at the end of a show at the Theatro Santa Isabel, in Macaé. Announcement by the Monitor Macahense newspaper days before the event, held on April 25, 1866. Source: collection of the digital library of the National Library of Rio de Janeiro.

Viriato

Henrique Alves de Mesquita and Callado Jr.

Concert program with light repertoire. Jornal do Commercio, 26/01/1872. Ed. 26. Source: collection of the digital library of the National Library of Rio de Janeiro.

Just to Grind Sheet Music

In the background, the Palacio dos Mendigos (at the time). Photo: Dunga.

Ulysses playing an old and recovered guitar belonging to prof. Dácio Lobo, who is playing the keyboard at the side, but does not appear in the photo. This event was another occupation of the space, in the early 80's. Photo: Rômulo Campos.

Jorge Mautner and his Violin, in the early 70s.

The tradition of Boi Pintadinho in Macaé

Oxen assist the man in a mill at the sugar mill.

Municipal School Joffre Frossard, former municipal slaughterhouse.

Mulinha (Image taken from Facebook)

Bloco do Urubu, Frade district. Parade with the vulture, doll, deaf and widows. (Image courtesy of Wilson dos Santos Souza).

Hand oxen. (Photo from the Facebook page "Boi Pintadinho de Macaé")

Haroldo Meireles and Eraldo Lanterneiro

Haroldo Meireles, the serester.

Zezinho, Ismael and Haroldo. In an event commemorating the centenary of Benedito Lacerda's birth, in 2003, in the courtyard of the Sociedade Musical Nova Aurora.